মঙ্গলবার, ২৬ জানুয়ারি, ২০১৬


Thomas Hardy’s views on Marriage and Sex Relations: Should Tess Get a Fair Deal at the Hands of Victorian Society?



 "No one has written worse English than Mr Hardy in some of his novels...but at the same time so strangely expressive of something attractive...that we would not change it for the perfection of Sterne at his best."

" Virginia Woolf (1882 - 1941) British novelist and critic. Referring to Thomas Hardy and Laurence Sterne.

 The Moment Hardy believed that a marriage should not be the result of momentary impulse or a passing fancy. He was thus against a marriage based on love at first sight. A marriage to be successful, to be most candid to the happiness of the married couple, should be based on a harmonic of taste and temperaments. Angel Clare wants to marry a dairymaid because she is likely to be a true helpmate to him in his vocation of farming. He feels, and he reflects the views of Hardy that a fashionable woman of high society would not be a good wife for him, for she would not be of help him any way in the vocation that he has chosen for himself. He therefore prefers Tess to Mercy Chant. Tess is a novel by Thomas Hardy a young woman from a farm family who has two unhappy love affairs, Tess falls in love with a nobleman , becomes pregnant, and returns home in disgrace. She soon falls in love and marries Angel Clare , but when he learns of her sordid past, he rejects her. Later, Clare has a change of heart, and the two men vie for her affections. Hardy felt that early imprudent marriages lead to the frustration of promising youth’s high aims and hopes and the ruin of his career. In his preface to Jude the Obscure, Hardy states “A marriage should be known as it becomes a cruelly to either of the parties— being then essentially and morally no marriage.”

 The aim of a marriage is not only sexual gratification or the increase of relations, but also the happiness of the individual. If the husband and wife hot find pleasure in each other’s company or if the marriage makes them happy, then it should be dissolved and the couple should find “quick in parting.” Hardy calls such marriages “social nooses and gins” to hold back the unwilling. Hardy was vehemently criticized for his views and was called the breaker of marriage and the corrupter of public morals. But Hardy was nothing of the lied. For he did not advocate promiscuity or sexual license, he only wanted liberalization of the marriage laws in favour of the weaker sex. He believed and rightly, too, that the ‘purity’ is of the mind and the spirit and not of the body. He, therefore, advocated that women like, Tess, who are sinned against than sinning, should not be treated as outcasts. They essentially are pure, for their attitude, the whole tendency of their life is sin. Therefore, Hardy, like Angel Clare, elevates “Hellenic Paganism the expense of Christianity”, for in that civilization an illegal surrender was not certain disesteem. Surely then he might have regarded that abhorrence of the un-intact state, which he had inherited with the creed of mysticism, “as at least open to correction when the result was due to treachery”.

 Thus Hardy’s views on marriage and sex relations are essentially humane. He abhors the Christian double standards of morality, one standard of judgment for women and another for men. He has no sympathy for hardhearted and self-centered people like Angel Clare who are not ready to pardon another exactly for the same sin for which they themselves have been forgiven a moment before. He advocated, “a closer interaction of the social machinery”, a reform of the marriage laws more just to the weaker sex, so that essentially ‘pure’ woman like Tess may get a fair deal at the hands of society. Modem divorce laws clearly prove the correctness of Hardy’s position.
Is Maurya entirely passive?


 She is sometimes physically passive, mentally she is weak, but the movement in her mind is not a all passive. It involves tremendous transformation of her mind. Intellectually a spiritually, he is dynamic a passive. Her tottering states her accepting of Bartley's death show that she is passive. Outer being is passive a inner being is dynamic a


How do the images provide structure to the play?


 The images a symbols in Riders To The Sea provide structure not in the architectonic sense of the term , but in the sense of providing an unity of impression which is often more important and convincing to an audience than the mere cause and sequence of the plot . The images in symbols in Riders To The Sea, being uniformly related to the theme of death and disaster, provide the play with its tragic atmosphere, an atmosphere which sets the tone of the play. They help to create an incessant and unflagging suspense, an atmosphere of imparting and pervading tragedy.






The peace of Maurya?


 The peace that Maurya achieves at the end when she is reconciled to the death of all her male poignancy and realizes that death is an inevitability, is often characterized as “Christian serenity " The application is only partly a hot wholly True . Her peaceful state of mind is engendered hot by the standard Christian consolation of blood being benevolent or the possibility of a merger with God after the earthly lives but by the stoic acceptance of the stark reality of death. Her attitude is stoic rather than Christian.


Maurya's vision of Michael?

 It lends it her tragedy a touch of melodrama... A flaws the play or excessively dramatic. The vision of Michael - this prepares for the death of Bartley, his death is being made probable. Such incidents pre- occurring from the beginning mention - - - - - - - - This visionary symbol unifies the entire plot. It's as important as the vision of Bride Dara . It might have appeared a flaw in a play set in an industrial situation but in its ease it is significant. Here Michael 'scene enhances the play instead of Flaw the play.